The Armenian writer, critic, linguist, journalist and public figure Arshak Chopanian’s (1872–1954) role in the creative life of Komitas is exceptional, and significant is his contribution to the formation of Komitas studies. Komitas and A. Chopanian‘s acquaintance took place in Paris in July 1901 and lasted through Komitas’ death. A. Chopanian did not only highly appreciate Komitas’s talent and the work he did, but also attached importance to creating favorable conditions for his activity and took a lot of practical steps to that end. In Anahit, the literary, artistic and public magazine founded by him in Paris in 1898, as well as in other periodicals of the time, such as Byuzandion (Constantinople), Hayastani kochnak [Armenia’s Bell] (New York), etc., A. Chopanian placed articles, in which he commended Komitas’ activity, thereby making his works known to broader public. On the pages of Anahit, A. Chopanian, on the one hand, presented the full-fledged panorama of Komitas’ concert activities that unfolded in Paris and Geneva, published materials assessing Komitas’ oeuvre, authored by various musicians, as well as memoirs, and, on the other, Komitas’ own studies in musicology and a piece of his literary legacy – his autobiography. A. Chopanian’s Komitassiana had had also applied significance. Several important issues raised by A. Chopanian – in particular, the issue of burying Komitas in Armenia, and that of publishing his musical legacy – were brought to life in the near future.

KeywordsArshak Chopanian Komitas Armenian music Anahit magazine Paris the year of 1901 the year of 1935